“Audiences want to hear music, not monologues.”
–The Musician’s Way, p. 177
One of the most effective ways for us to connect with audiences is to speak engagingly yet briefly about the music we perform.
Problem is, lots of musicians neglect the verbal aspects of their performances and, as a result, fail to make the impacts they hope for.
Given the surfeit of public speaking advice already available, I thought I’d approach this topic from a different direction.
Here, then, are 10 lighthearted ideas for how not to speak from the stage.
How Not to Talk to Audiences
- Lecture about composer biographies.
Rather than connecting people to the soul of the music, focus on a composer’s birth year, education, and publisher.
- Mumble in monotone.
Sedate your listeners with an expressionless porridge of words.
- Refuse amplification.
Speak quietly so that no one can fathom what you say.
- Include untranslated foreign phrases.
Help people feel ignorant and uninformed.
- Avoid making eye contact.
Look down or stare into space – people love it when performers come across as bored or aloof.
- Adopt lifeless body language.
Slouch drearily and eliminate gestures.
- Begin without any notion of what you’ll say.
Why prepare captivating remarks when you can be tiresome?
- Spew words at top speed.
Unleash rapid-fire syllables that blur comprehension and ratchet up your nerves.
- Pontificate at length.
Before each tune, sermonize about alluring topics such as compositional structure.
- Skip thanking your hosts and fans.
Neglect the people who support you. They’ll understand.
© 2014 Gerald Klickstein
Photo © kryzhov, licensed from Shutterstock.com