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Should Soloists Always Perform from Memory?

Andre Watts performs from memory with the Atlanta Symphony

“Performing from memory can be a beautiful thing.”
The Musician’s Way, p. 82

As someone who has performed countless solos, I know the upsides and downsides of playing with and without a score.

We musicians often hash over the issue of whether to memorize or not, and pianist Stephen Hough thoughtfully examined the pros and cons in a 2011 article in The Guardian. Continue Reading

Launching the First Phrase

Violinist playing“You must start well, and you must end well. What is in the middle is not so important because no one is listening then.”
–Maurice Chevalier, singer & actor (The Musician’s Way, p. 180)

I chuckle every time I read Chevalier’s words, but they aren’t intended solely in jest.

The start and finish of performances truly are vital moments in which music blossoms into and then fades out of existence. Continue Reading

The Essence of Stage Presence

“To be on stage is to be in charge.”
The Musician’s Way, p. 179

Take a moment to recall the stage presence of some memorable soloists: Don’t they convey a sense of authenticity and enjoyment?

It may seem that stage presence would be akin to personality – largely inborn. In fact, projecting a commanding presence involves skills that any musician can learn. Continue Reading

The Primary Error Response

“Display confident body language, come what may.”
The Musician’s Way, p. 194

Are you confident in your ability to deal with on-stage mistakes?

I’ve found that rising musicians seldom practice handling errors, so they typically don’t manage them as gracefully as they could. Continue Reading

Dealing with Onstage Distractions

“If things get rocky, stay positive and engaged,
and give your audience the best possible experience.”
The Musician’s Way, p. 189

Recall the last time that you were distracted during a performance: How did you cope? Continue Reading

Assessing Your Performance Skills

Benny Goodman & Ella Fitzgerald

“People have often said to me, ‘You’re so relaxed when you play.’
Relaxed my elbow. It’s practice.”
–Benny Goodman, clarinetist (The Musician’s Way, p. 199)

It may seem that elite musicians like Benny Goodman excel on stage because of inborn traits.

But despite any genetic factors that might affect our musical potential, the mastery that experts display under pressure actually results from their having amassed specific performance skills. Continue Reading

Becoming a Confident Performer

“Your central tasks are finding inner peace and strength, on the one hand,
and being very well-prepared for your performances, on the other.”
Eric Maisel, author & psychologist (The Musician’s Way, p. 146)

In my previous post, “The 3 Roots of Performance Anxiety,” I classified the causes of stage nerves as personal, task-related, or situational.

Here, I point to ways in which we can address those causes and become joyful, artistic performers. Continue Reading

Stage Power

“I will cast this spell: I know I can open this door and show you something unforgettable and transforming, and I’m determined to take myself there
and to take you with me.”
–Jeffrey Kahane, pianist (The Musician’s Way, p. 177)

When was the last time that you cast a spell from the stage?

If it’s been a while, take heart: I’ve found that nearly all musicians can learn to deliver spellbinding performances, but they first need to build up their stage power.

Continue Reading

The Zing of Adrenaline

“The key to harnessing on-stage energy is to use it for music-making purposes”
The Musician’s Way, p. 186

Let’s say that you’re walking on stage to begin a performance: Your heart’s beating somewhat fast and your hands feel cool; maybe your mouth turns dry.

Are you eager to launch into your program or worried that things could go awry? Continue Reading

Sitting Tall

“The simplest things are the ones that count.”
–Pablo Casals, cellist

Have you ever dealt with discomfort caused by sitting?

Most of us sit for hours each day as we practice, study, and use computers.

Yet I’ve observed that few musicians, writers, and computer users know how to sit optimally and, as a result, many endure frequent episodes of back pain.

Here are 4 principles that contribute to easeful sitting. All are expanded on in The Musician’s Way (p. 250-269), where you’ll find dozens of high-resolution photos.

Continue Reading