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The Sustainability Triangle

“Music expresses that which cannot be put into words
and that which cannot remain silent.”
-Victor Hugo, The Musician’s Way, p. 5

All of us musicians feel something within us that cannot remain silent.

But to forge lasting, full-time music careers, we have to make wise choices about the kinds of work we do and the ways we live our lives. Continue Reading

April 2013 Newsletter

“How can music schools better prepare graduates for the innovation economy?”

The April 2013 issue of The Musician’s Way Newsletter brings together more than 20 articles and resources pertinent to student and professional musicians.

You’ll discover creativity and songwriting tips, new websites that list performance opportunities, music education features, and a story of classical musicians who are adding fizz to their music scene by performing in a pub. Continue Reading

Inner Smile

“It’s your internal motivation that opens the creative spigot.”
-The Musician’s Way, p. 105

Those of us who create day after day know that things don’t always go smoothly. Sometimes our work flows; other times difficulties slow us down.

But whether we’re dealing with good days or not, one simple practice helps keep our creativity rolling. Continue Reading

8 Ways to Build Sustainable Music Careers

“The most difficult thing about being a musician these days is not talent.
It’s sustainability.”*
–Robert Sirota, President, Manhattan School of Music

As Robert Sirota implies, hordes of conservatory graduates struggle to sustain themselves in today’s music scene.

Some people blame the weak economy, but I mainly fault music faculty for failing to incorporate entrepreneurship education into their curricula. Continue Reading

Upgrading Your Practice Habits

“We first make our habits and then our habits make us.”
–John Dryden, poet (The Musician’s Way, p. 20)

When you practice, are you consistently focused and productive? If not, the reason may lie in chronic habits that undermine your attention and creativity.

Here are 7 ways to replace unwanted practice habits with those that foster deeper learning and higher creativity. Continue Reading

High Standards

“The beauty in playing the instrument is not to be better than the next person
but to stay true to oneself, to set one’s own standards and keep to them.”
–Andrés Cárdenes, violinist (The Musician’s Way, p. 305)

In many ways, we succeed or flounder as artists based on the standards we uphold.

Here are three reasons why.

Continue Reading

June 2012 Newsletter

The June/July edition of The Musician’s Way Newsletter brings together 18 articles and online resources of value to musicians and all creative people.

For instance, resilience is essential to creative work because it enables us to learn from setbacks and keep progressing. An article by Daniel Coyle, author of The Talent Code, outlines ways to build resilience.

Another piece by musician and psychologist Robert Woody shows why having a warrior-like attitude toward practice ignites our motivation. Continue Reading

The Essence of Stage Presence

“To be on stage is to be in charge.”
The Musician’s Way, p. 179

Take a moment to recall the stage presence of some memorable soloists: Don’t they convey a sense of authenticity and enjoyment?

It may seem that stage presence would be akin to personality – largely inborn. In fact, projecting a commanding presence involves skills that any musician can learn. Continue Reading

Psychic Income

“Meaning is what matters most in your day-to-day practice.”
The Musician’s Way, p. 312

Might there exist people who devote themselves to music solely for material gain?

I doubt it.

Rather, it’s the psychic income that we derive from our work that we most prize.

Continue Reading

Reviving Old Repertoire

“Whenever you practice or perform a composition, celebrate its unique message.
Feel the excitement of listening to the music for the first time.”
The Musician’s Way, p. 74

All of us musicians learn and then set aside countless pieces over the years.

Sometimes, we excitedly return to old favorites but then feel glum when we realize that music we once performed with ease is now surprisingly difficult. Continue Reading