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The Sustainability Triangle

“Music expresses that which cannot be put into words
and that which cannot remain silent.”
-Victor Hugo, The Musician’s Way, p. 5

All of us musicians feel something within us that cannot remain silent.

But to forge lasting, full-time music careers, we have to make wise choices about the kinds of work we do and the ways we live our lives. Continue Reading

The Master-Apprentice Model Is Dead

Antique image of formally dressed teacher instructing piano student“For music and service to become your way of life,
you must confront economic realities.”
-The Musician’s Way, p. 299

Aspiring classical musicians commonly study in a context resembling the ancient “master-apprentice” model.

That is, they take lessons from one individual over a span of years and depend on that person to cultivate their artistic, technical, and career skills.

Does that educational arrangement make sense? Continue Reading

4 Steps in the Creative Process

“Take the action and the insight will follow.”
–Anne Lamott, author (The Musician’s Way, p. 107)

Suppose that you want to start a creative project – compose a solo, write a song, design a logo, or whatever.

You’ve done your research and set aside time to work.

Do you typically dive into such projects, or do you tend to procrastinate?

Continue Reading

8 Ways to Build Sustainable Music Careers

“The most difficult thing about being a musician these days is not talent.
It’s sustainability.”*
–Robert Sirota, President, Manhattan School of Music

As Robert Sirota implies, hordes of conservatory graduates struggle to sustain themselves in today’s music scene.

Some people blame the weak economy, but I mainly fault music faculty for failing to incorporate entrepreneurship education into their curricula. Continue Reading

Upgrading Your Practice Habits

“We first make our habits and then our habits make us.”
–John Dryden, poet (The Musician’s Way, p. 20)

When you practice, are you consistently focused and productive? If not, the reason may lie in chronic habits that undermine your attention and creativity.

Here are 7 ways to replace unwanted practice habits with those that foster deeper learning and higher creativity. Continue Reading

Bios That Inspire

“One must approach music with a serious vigor and, at the same time, with great, affectionate joy.”
–Nadia Boulanger, pianist and composer (The Musician’s Way, p. 292)

When listeners visit musicians’ websites, they absorb the artists’ personalities via images, media, and bios.

All too often, though, musicians write bios that leave music lovers yawning. Continue Reading

The Twin Aims of Deliberate Practice

“Practice holds a place of honor in the life of a musician.”
The Musician’s Way, p. 4

All of us veteran musicians share the same twin aims when we practice: we intend to polish our skills and prepare music for performances.

We also know how to accomplish our goals efficiently. Continue Reading

Refining an Interpretation

“One should hunger after the whole concept, the whole mood,
what the music stands for.”
–William Pleeth, cellist (The Musician’s Way, p. 71)

When we approach an unfamiliar composition, I recommend that we map out a preliminary interpretation before we deal with technical issues.

But once we have basic musical and technical issues in hand, how do we elevate our interpretation to concert level? Here are 6 ways.

Continue Reading

High Standards

“The beauty in playing the instrument is not to be better than the next person
but to stay true to oneself, to set one’s own standards and keep to them.”
–Andrés Cárdenes, violinist (The Musician’s Way, p. 305)

In many ways, we succeed or flounder as artists based on the standards we uphold.

Here are three reasons why.

Continue Reading

Do Musicians Often Resemble Underpants Gnomes?

“It is not enough to be industrious; so are the ants. What are you industrious about?”
–Henry David Thoreau, author

In a classic episode of the animated comedy South Park, the main characters track down a clan of gnomes who have been stealing the townspeople’s underpants.

The gnomes explain that their actions are part of a 3-phase plan – shown here – that’s guaranteed to bring in handsome profits.

Unfortunately, I’ve found that musicians often pursue comparable half-baked scenarios. Continue Reading