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Making the most of music lessons

“You are the one who will shape yourself
into the artist that you aspire to be.”
The Musician’s Way, p. 296

The school year is getting underway here in the Northern Hemisphere, and multitudes of music students are resuming lessons.

Are young musicians prepared to make the most of their lessons? Continue Reading

Glorious details

“The details are not the details. They make the design.”
Charles Eames, designer

For musicians and designers alike, our approach to detail largely determines whether our work soars or flops.

Compare, for instance, these two performers:

  • Musician 1 performs with passion along with polished rhythm, tone, and intonation.
  • Musician 2 is no less fervent, but heedlessly lets her timing drift and her accuracy falter.

Who would you rather listen to? Continue Reading

The art-career tango

Louis Armstrong

“What we play is life.”
Louis Armstrong, trumpeter and composer

Would many musicians dispute Louis Armstrong’s words? I doubt it.

With each turn of a phrase, we performers spin out some of the essence of being alive, and we relish every moment.

But we don’t create music for ourselves alone. Music is a social art that peaks in the interaction between performers and listeners.

And through our relationship with the public, we achieve both artistic and financial success. Continue Reading

The growth mindset

Branford Marsalis

“We have something that is unique. We have our craft. We have our art. We have our desire.”
Branford Marsalis, saxophonist

Craft, art, desire. Add persistent hard work, and what do you get? Artistic and professional success.

Why is it, then, that some students who are passionate about making music and have opportunities to refine their skills will practice intently yet others won’t?

There can be many reasons, but Carol Dweck, Professor of Psychology at Stanford University and author of Mindset: The New Psychology of Success, offers one compelling explanation.  Continue Reading

The abundance mentality

Michael Giacchino

“If you want to be creative, get out there and do it.”
Michael Giacchino, composer

Almost all of the ambitious music students I meet share two common concerns.

They wonder, “Do I have what it takes?” And, ”Will I be able to earn a living in music?”

I propose that, for the students I encounter, the answer to both questions is yes. Continue Reading

The self-motivated musician

Luciano Pavarotti

“People think I am disciplined. It is not discipline, it is devotion. There is a great difference.”
Luciano Pavarotti, singer

What empowers some musicians to keep growing while others fizzle? I’m convinced that, above all, it’s self-motivation.

Self-motivated musicians overflow with enthusiasm. Whether they attain international status or just perform locally, they’re devoted to their art and their listeners. They perpetually work on projects that excite them.

I believe that we all have the potential to spur ourselves to ever-greater heights of creativity. But, to do so, we need an arsenal of self-motivating strategies. Continue Reading

The big bag of experience

Ella Fitzgerald

“Just don’t give up trying to do what you really want to do. Where there is love and inspiration, I don’t think you can go wrong.”
Ella Fitzgerald, singer

When we marvel at the feats of eminent musicians like Ella Fitzgerald, it’s easy for us to overlook the hurdles they’ve surmounted.

But the route to artistic and career success rarely proceeds along a smooth track, even for those who reach the top.

How can we stay the course through the many challenges of a life in music? Continue Reading

The beauty in basics


Wynton Marsalis

“Even the greatest virtuosos practice the fundamentals,
because they are the basis of all playing.”
Wynton Marsalis (Marsalis on Music, p. 124)

Scales, arpeggios, exercises . . . boring stuff. Right?

I don’t think so. In fact, I find practicing basics to be endlessly fascinating.

Students, however, often view working on fundamentals as drudgery. What are such students missing? Continue Reading

Ready, set, create!

“In order to be creative
you have to know how to prepare to be creative.”
-Twyla Tharp, choreographer (The Creative Habit, p. 9)

Even though musical expertise results from persistent practice, it can be tough for us musicians to stick to our practice schedules over the span of months and years.

What’s more, when we arrive at the practice studio, it isn’t always easy for us to make inspired music.

Nonetheless, I believe that all of us can be consistently and deeply creative. But the key to our doing so lies in our ability to plan and otherwise prepare our practice sessions. Continue Reading

The competition question

If you’re a rising musician, you’ll probably have opportunities to perform in competitions.

This post will help you decide whether a particular contest is right for you. Continue Reading

The benefits of accessible music

Time and again, when I hear students audition, some will attempt to perform music that’s beyond their capacities.

“This’ll be impressive,” they surmise, as they struggle through one phrase after another.

Such students seldom realize that their misguided choices of repertoire don’t just fail to impress but also hamper their progress:  Continue Reading

The power of specific goals

It’s 10:00 a.m. on a Sunday, and I’ve already practiced for a couple of hours. I practiced yesterday, too, and I’ll practice tomorrow.

In fact, I’ve been practicing almost daily since childhood. Like musicians everywhere, practice is fundamental to the rhythm of my life.

What keeps us musicians practicing? Self-motivation is a big part of it, as described on pages 105-109 of my book The Musician’s Way.

But underlying our devotion to daily work is our intention to achieve specific goals. And the more precise our objectives, the more energy and accomplishment we generate. Continue Reading

Avoiding avoidance

Do you ever dodge practice?

Say, your practice time arrives, and you race off to do some chore. It might be a chore that you detest, but now it calls to you. Then, instead of working on your music, you start cleaning the house or doing whatever.

If that scenario sounds familiar, you’re not alone. Artists of every sort contend with avoidant behaviors.

Why do we sidestep practice? Often, the answer stems from the nature of creative work. Continue Reading

Getting started

Whether we plan to create a performance, composition, essay, or mousetrap, we have to launch our project and work on it regularly.

But we all know that creative ventures often fizzle because we, the would-be creators, stall. We convince ourselves that we’re not ready or that no one will care. We procrastinate.

In the end, far too many of us never get started on the things we hope to create and thereby cheat ourselves out of meaningful accomplishment.

Personally, I don’t intend to miss out on forging a meaningful life. I’m committed to doing the creative work that matters to me.

The key to my output is that I live by the following six habits that enable me to get started on my projects every day. Continue Reading