Refining an Interpretation

“One should hunger after the whole concept, the whole mood,
what the music stands for.”

–William Pleeth, cellist (The Musician’s Way, p. 71)

When we approach an unfamiliar composition, I recommend that we map out a preliminary interpretation before we deal with technical issues.

But once we have basic musical and technical issues in hand, how do we elevate our interpretation to concert level? Here are 6 ways.

1. Record Yourself
Self-recording helps us perceive how we truly sound and size up the impact of our expressive gestures.

2. Listen to Professional Recordings and Performances
Deep listening exposes us to diverse interpretive perspectives.

3. Study Scores and Resources
By delving into scores and the circumstances surrounding a composition’s creation, we gain fresh insights.

4. Deepen Emotional Connections
To tap into deeper emotions, we might consider what images, feelings, or storylines a piece might evoke.

5. Experiment
We might change practice settings or instruments, exaggerate our dynamics and timing, or improvise on a piece’s themes. Then, we can craft our far-flung ideas into coherent forms.

6. Schedule Coaching Sessions
When we request feedback from fellow musicians, we open ourselves to different viewpoints, which can lead to creative breakthroughs beyond what we could attain on our own.

See The Musician’s Way for holistic approaches to interpretation, practice, and performance.

Related posts
7 Essentials of Artistic Interpretation
The Art of Spontaneity
Beautiful Repetition
Generating Emotional Depth
Performance-Oriented Practice

© 2012 Gerald Klickstein
Photo © Gregory Johnston, licensed from Shutterstock.com

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2 Responses to “Refining an Interpretation”

  1. Roy Sonne said:

    Jul 12, 12 at 00:22

    I believe that in order to really be at one with a piece of music we need to get into the composer’s world and learn his language. The primary way that we can do that is by getting to know many works by that composer. If you are a violinist, for example, studying a Beethoven Quartet, you can benefit immensely by getting familiar with many of his quartets, and also the trios, violin sonatas, symphonies, concertos, etc. You can get to know them by listening or by playing them. You can listen to recordings with or without the score. Every time you play a new piece by Beethoven, even if you play it badly you are entering his world. Then you might also get to know the music of his predecessors, Mozart and Haydn, and start establishing connections. Little by little you get a detailed picture of the similarities between Mozart and Beethoven, for example, and also the differences between them. Then when you play a Beethoven quartet that you have never played before, you are at home in his world and his language.

  2. Gerald Klickstein said:

    Jul 12, 12 at 06:44

    Beautifully said, Roy – thanks for contributing so meaningfully to this post.