Deep Listening

“For you to perform with native inflection, you have to listen and listen
until you break through to the soul of a style.”
The Musician’s Way, p. 98

We all enjoy listening to music. But there’s a level of musical perception that transcends ordinary hearing.

Deep listening, as I call it, pierces the essence of a composition and the way in which it’s performed.

Musical Grammar
There’s a grammar-like structure to the expressive language of music. Differing articulations, for instance, generate contrasting emotional effects, as do inflections of tone, timing, dynamics, melody, and harmony.

We musicians need to be able to grasp musical grammar as listeners if we’re to present performances that move audiences.

Otherwise, “When musicians with scant listening experience try to play or sing repertoire from unfamiliar genres, they produce the musical equivalent of a clumsy accent.” (The Musician’s Way, p. 98).

Here, I propose 7 ways to deepen our listening habits.

Apply these concepts when weighing your self-recordings as well as when you attend live performances and hear other musicians’ tracks. Then, use your heightened perception to listen more intently when you practice and perform.

  1. Listen for overall effect
    Listen to a track and ask yourself: What images, emotions, or storylines does the music evoke? In what ways does the performance hit home or miss the mark? Also research background information about pieces – the knowledge you pick up can enhance your artistic connection.
  2. Go over sections
    Target a chunk of music and listen repeatedly, pinpointing elements. For instance, you might listen to a self-recording and initially focus on your timing. A second time around you could zero in on intonation. Third, your attention could be on tone, dynamics, and articulation. When you notice glitches, isolate the troublesome passages in practice and solve any problems.
  3. Follow and mark a score
    If you’re working from a score, as you listen, follow the music and mark problem spots, special moments, and any other features that stand out.
  4. Identify interpretive elements
    Listen to recordings of notable performers and map out their interpretive gestures; in particular, compare various artists performing the same compositions. Use the “Seven Essentials of Artistic Interpretation” in The Musician’s Way as benchmarks. Peruse recordings not to copy them but to gain insight into interpretive possibilities and spark your imagination.
  5. Spot solutions to technical problems
    If you’re stumped by a technical problem in a piece, check out recordings – especially videos – of musicians performing the repertoire you’re tackling. You might discover technical tricks and devise original solutions of your own.
  6. Expand your horizons
    Commit to listening widely, embracing music in your main genre and beyond. Given that musicians are interacting globally, wide-ranging listening habits will help you build a foundation for performing diverse styles.
  7. Transcribe improvised solos
    One of the best ways to extend your improvisational vocabulary is to regularly transcribe solos. Seek out recordings of prominent artists in your genre and notate their improvisations. Listen to both vocal and instrumental recordings. Singer Ella Fitzgerald said, “I stole everything I ever heard, but mostly I stole from the horns.”

See the Listening section of MusiciansWay.com for sites that offer streaming and downloadable recordings.

© 2010 Gerald Klickstein

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5 Responses to “Deep Listening”

  1. Ann Lampard said:

    Jun 21, 10 at 17:52

    At last, I have found a great blog for musicians! I have been searching for a long tme! So interesting!

  2. Gerald Klickstein said:

    Jun 21, 10 at 17:59

    Thanks, Ann – much appreciated.

  3. Amy Chaplin said:

    Jun 23, 10 at 07:37

    This article comes at a perfect time. My teacher and I have been talking about how I need to take my music to the next level. That involves deeper listening and understanding of how my phrases are being articulated. We’re discussed how I need to feel the music more and focus more deeply into what I’m truly hearing come out and not what I THINK I hear coming out.

    Perfect article, thanks!

  4. Gerald Klickstein said:

    Jun 23, 10 at 08:12

    Well said, Amy – thank you for contributing.
    You’ve hit on a central issue for musicians: self-hearing. It’s an essential self-evaluation skill, and it takes time for us to develop the ability to hear ourselves accurately.
    For more on the subject, see my post “Self-evaluation: the key to artful practice” http://musiciansway.com/blog/?p=2087

  5. Bobskeyboardz said:

    Jun 24, 10 at 22:06

    True! when I became a musician I got a greater since of hearing and I appreciate all forms of music now.


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